Optimised for DSLR Cameras
The FW568 is sure to add instant production value for mirrorless and DSLR shooters. Its bright display, professional software tools, and convenient mounting is invaluable for shooters looking to do more with less gear. The monitor includes a plethora of useful features such as histogram, false color, focus assist, embedded audio, pixel to pixel, frame guides, nine grid etc.
Small Size, Big Advantage
The FW568 is small, lightweight and has great image quality. The small size is extremely useful when filming in tight spaces and where weight is important such as with gimbals. The FW568 is the perfect monitor for those who need an easy-to-use lightweight on-camera monitor such as gimbal operators, or shooters that are always on the go.
5.5” LCD, 1920x1080 Resolution
High resolution, brighter full of colors
The FW568 provides a sharp image, ideal for focus pulling and image analysis on set and in the field. With native 1920x1080 high resolution and 16:9 display, 500cd/m2 brightness, 1000:1 contrast ratio, delivers excellent detail, so you can enjoy sharper and richer colors image, full-screen display uniform, no difference, no trailing. Its size, weight and resolution make it an attractive option for DSLR shooters looking to attach it straight to the camera.
Large Viewing Angles for All-round Visibility
IPS monitor, gives you a large visual view to enjoy, offers consistent image clarity and colors from 160-degree viewing angle vertically and horizontally. And he wide viewing angle makes it easy for multiple crew members to watch at the same time.
True Color · Professional Color Calibration
Use Rec.709 color standard
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
Accurate Color Reproduction
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
Intuitive Controls and Menus
The menu controls are intuitive and easy to use. At the top of the monitor, there are three custom function buttons that you can set as common functions; press “<” directly to decrease the volume; press “>” directly to increase the volume. The monitor will automatically save the parameters you have previously set, and keep the original settings when you turn it on next time. It does not need to be reset, which is convenient and simple.
4K HDMI Input & Loop Output
The FW568 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
HDMI Output Application
Connect to Wireless Transmitter
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Connect to Director Monitor
Display live picture on multiple displays simultaneously.
Connect to Projector
At the concert, live broadcast, conference, you can connect to project display real-time images.
Auxiliary Power
Real-time power charge for cameras
A DC output port enables you to power your camera directly from an NP-F L-series or LP-E6 battery mounted on the monitor, increasing runtimes over the standard batteries of many DSLR or mirrorless cameras. In addition, you can monitor audio using the 3.5mm stereo headphone jack.
Flexible Dual-purpose Battery Plate
Compatibility with Sony F970 and Canon LP-E6 of lithium batteries for one battery plate. Providing long-time working condition for cameraman in shooting applications.
Convenient Mounting - Tilt Arm
Every FW568 monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
• Allows the FW568 monitor to rotate 360 degrees for viewing convenience
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
Multiple Install Way
To convenient the various angles monitoring
FEELWORLD FW568 features standard 1/4" mount points (bottom, right) for attaching it to cameras and rigs. The external 1/4 screw design is used to make the monitor lighter and thinner.
The 1/4 screw can remove mounted to the bottom or right side.
Flexible Install Both on Camera and Gimbal
Not only you can install it on a handheld stabilizer, but also you can mount itsecurely attach it to the top of your camera as the ultimate HD viewfinder! If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen! FW568 equipped with one 1/4 screw, if you also want to fast install at gimbal, you can buy one more 1/4 screw.
Newest Sunshade Design, Easy Install
The FW568 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. Moreover, the FW568 monitor and the sunshade fixing frame are integrated, so you can directly attach the sun visor to the monitor through the attached velcro. The installation process is simple and fast, which is very suitable for outdoor shooting.
• All in one install sunshade frame • Save time by installing and disassembling
1. High Resolution: Full HD 1920x1080
2. High Contrast: 1000:1
3. High Brightness: 500cd/m²
4. 160° wide viewing angles IPS Panel
5. Provides auxiliary power out; allowing shooters to power their cameras
6. Histogram
7. Peaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus)
8. False Colors
9. Zebra Exposure
10. Nine Grid
11. Scan Mode (Under Scan, Over Scan)
12. Zoom (4x,9x,16x)
13. Anamorphic Mode (1.3x,2.0x,2.0x mag)
14. Pixel to Pixel
15. Center Marker
16. Safe Area (80%,85%,90%,93%,96%,2.35:1)
17. Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
18. Marker Color (Red,Green,Blue,White,Black）
19. Check Field (Red/Green/Blue/Mono)
20. Image Flip (H, V, H/V)
21. Image Freeze
22. Zoom All
23. U/D & L/R Zoom
24. Color Temperature Adjustment
Brightness Histogram
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (4X, 9X, 16X)
Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode
Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip
The Horizontal,Vertical and Hor&Ver of the image around flip.
Nine Grid
Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.
Display Spec.
| Model |
FW568 |
| Screen Size |
5.5" IPS |
| Resolution |
1920x1080 pixels |
| Pixel Pitch |
0.0639 (H) x 0.0213 (W) mm |
| Aspect Ratio |
16:9 |
| Brightness |
500cd/m² |
| Contrast Ratio |
1000:1 |
| Backlight |
LED |
| Viewing Angle |
80°/80°(L/R) 80°/80°(U/D) |
Input
Output
| 1 X HDMI |
HDMI |
| 1 X DC Output |
DC Output |
Audio
HDMI Input/ Output Support Format
| 480i/576i/480p/576p |
| 1080i (60/59.94/50) |
| 720p (60/59.94/50/30/29/25/24/23.98) |
| 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF) |
|
4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz) |
General
| Input Voltage |
DC7～24V |
| Power Consumption |
≤9W |
| Power Connector |
DC |
| Working Temperature |
-20°C~55°C |
| Storage Temperature |
-30°C~65°C |
| Install Way |
¼-20 thread points |
| Unit Size |
142Lx87.2Hx27.5D (mm) |
| Unit Weight |
175g |
Advanced Features
| * Brightness Histogram |
| * Peaking Focus Assist (Red, Green, Blue three colors optional highlight over parts of the image in focus) |
| * False Colors |
| * Zebra Exposure (1-100IRE adjustable) |
| * Check Field (Red, Green, Blue, Mono) |
| * Scan Mode (Under Scan, Over Scan) |
| * Anamorphic Mode (1.3x, 2.0x, 2.0x mag) |
| * Image Flip (H, V, H/V) |
| * Image Freeze |
| * Center Marker |
| * Screen Marker (80%,85%,90%,93%,96%, 2.35:1) |
| * Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1) |
| * Color Temperature Adjustment |
| * Nine Grid (Zoom one of the images to realize the full screen) |
| * Zoom (4X, 9X, 16X) |
| * Aspect Ratio |
| * Pixel to Pixel |
| * Zoom All |
| * U/D Zoom |
| * L/R Zoom |
